⌚ Gothic Horror Settings

Saturday, July 17, 2021 3:21:17 PM

Gothic Horror Settings

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Gothic Horror lessons that cover setting, characters, plot devices, genre conventions and more. Your rating is required to reflect your happiness. It's good to leave some feedback. Something went wrong, please try again later. Empty reply does not make any sense for the end user. Report this resource to let us know if it violates our terms and conditions. Our customer service team will review your report and will be in touch. Last updated 25 May Share this Share through email Share through twitter Share through linkedin Share through facebook Share through pinterest. File previews. This castle and foreign setting are designed to bring out the fears and anxieties Harker, and the farther he travels into Transylvania the more apprehensive he and the reader get.

An important note in regards to setting is also the time period in which Stoker writes the novel. Instead of setting the novel in a medieval setting or at some unknown point in the past, it occurs in Victorian England, fully embracing society of the day. This adaptation of the time period is important to the modernization and subsequent urbanization of the later period of Gothic. When examining the initial story setting of the castle in Transylvania, Stoker builds an atmosphere using fairly traditional Gothic methods.

Through the deployment of a chorus of warnings from the local superstitious peasants, various mysterious nocturnal noises, and of course the howling of the wolves, by the time Harker and the reader reach the castle they are thoroughly on edge. This reversal makes the nighttime the primary setting for this point of the story, and helps to add to the atmosphere, nighttime is traditionally the hour at which most supernatural events occur and the forces of evil are the most powerful. This is particularly true in Dracula because while the Count can function in the day he is nowhere near as deadly as many of his abilities are significantly reduced.

Stoker ties many of the elements of his setting into the atmosphere, as he develops the setting so does the atmosphere develop into a horrifying place where the reader is fully on edge. In regards to developing atmosphere Stoker also deploys another important technique, in that the novel is written as an epistolary piece, through journal entries and letters. This narrative style and context suggests an authenticity, which makes the story more believable. The idea of a discovered manuscript or a tale passed down through the years is pervasive throughout a number of Gothic stories.

This context of this style, because it adds to the stories believability, contributes heavily to the horror, anxiety, and realism of the piece. Stoker relies heavily also on the Gothic tradition when developing his characters, as they are patterned heavily on those penned by earlier writers in the genre. However because they are unyielding characters who refuse to change as a result of the events unfolding in the story they become very one-dimensional characters, and thus it is not their character and virtues that commands the attention of the reader, but rather the predicament that they find themselves in.

The traits of Stokers masculine heroes here are also a byproduct of the modernization and urbanization of this period of Gothic. Mina is to be menaced and threatened by the Count, and she nearly dies, but ultimately is saved by the hero, who she happens to be a perfect match for. Lucy Westenra as the victim portrays women as frail and beautiful creatures, but whose virtue is no protection against evil.

Mina, as the ideal woman, is beautiful, intelligent, and resourceful, and if need be courageous, however she remains vulnerable and in no way a threat to male superiority. These gothic heroines, like the male heroes, also remain fairly static characters, and do not develop despite the myriad of external pressures and environmental factors, which is a fairly typical feature of the Gothic heroine. Dracula as the diabolical villain plays more of a role in the novel as a presence rather than as a person or character.

Dracula is seemingly omnipresent, dominating the novel without actually appearing in the majority of it. Dracula is the embodiment of evil, just as the young heroes are the embodiment of good and virtue, and thus pitting the two against each other is the perfect way to illustrate the god versus evil theme. Vampires have fascinated people for hundreds of years, and likely will continue to captivate public interest for many more. The development of these aspects is crucial in the overall effect of the novel as a Gothic horror story.

Carlson, M. Gates, David.

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